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Elektra

Elektra

1989-01-01 (37 ساڵ و 7 مانگ و 29 ڕۆژ لەمەوبەر دەرچووە) 9.0 1 بینەر 109 خولەک بۆ خێزان گونجاوە
Music دراما
Recorded at the Vienna State Opera house in 1989, this staging of Richard Strauss and Hugo von Hofmannsthal’s Elektra is one of the glories of live opera on film, deserving of eternal availability. The DVD picture has great clarity, despite the darkness of Hans Schavernoch’s set design. Other than the cliché of a huge statue head, toppled on its side, the set manages to be suitably representative of a decaying palace as well as an imposing, theatrical space, dominated by the mammoth body of the statue from which the head apparently dropped, draped with the ropes that seem to have enabled the decapitation. Sooner or later most of the characters cling to and twist around those ropes, an apt stage metaphor for the remorseless repercussions from the murder of Agammenon by his unfaithful wife Klytämnestra and her paramour, Aegisthus. Reinhard Heinrich’s costumes capture a distant era while sustaining a creepily modern look — part Goth, part homeless, part Spa-wear.

دەرهێنەر

Harry Kupfer

باری بەرهەم

ئازاد کرا

تەنها تریلەر

لە دەرەوەی عێراق تەنها تریلەری فەرمی بەردەستە.

وڵاتی دۆزراوە: US

هێشتا هیچ تریلەرێک نەدۆزرایەوە.

تکایە کەمێک چاوەڕێبە...
فیلمەکە ئامادە دەکرێت و وەردەگێڕدرێت

کۆمەڵگە

هەڵسەنگاندن و پاشەکەوت

لێرەدا بەدڵبوون، هەڵسەنگاندن و پاشەکەوتکردنی فیلمەکان بە باشی کار دەکات.

0.0/5 لە 0 هەڵسەنگاندن

بینین

1

دەسترسی

تەنها تریلەر

US

کۆمێنتەکان

گفتوگۆ

0 نیشان‌دراو

چوونەژوورەوە پێویستە

بچۆ ژوورەوە بۆ هەڵسەنگاندن، بەدڵبوون، پاشەکەوتکردن و کۆمێنتکردن.

چوونەژوورەوە

هێشتا هیچ کۆمێنتێک نییە.

هاوشێوەکان

Oya9.com
Elektra

Elektra

بەرواری بڵاوبوونەوە: 1ی کانوونی دووەمی 1989
0.0 / 10
ژانەر: مۆسیقا - دراما
ئەکتەرە سەرەکییەکان:
Claudio Abbado
Éva Marton
Brigitte Fassbaender

کورتە: Recorded at the Vienna State Opera house in 1989, this staging of Richard Strauss and Hugo von Hofmannsthal’s Elektra is one of the glories of live opera on film, deserving of eternal availability. The DVD picture has great clarity, despite the darkness of Hans Schavernoch’s set design. Other than the cliché of a huge statue head, toppled on its side, the set manages to be suitably representative of a decaying palace as well as an imposing, theatrical space, dominated by the mammoth body of the statue from which the head apparently dropped, draped with the ropes that seem to have enabled the decapitation. Sooner or later most of the characters cling to and twist around those ropes, an apt stage metaphor for the remorseless repercussions from the murder of Agammenon by his unfaithful wife Klytämnestra and her paramour, Aegisthus. Reinhard Heinrich’s costumes capture a distant era while sustaining a creepily modern look — part Goth, part homeless, part Spa-wear.

بۆ بینینی فیلمەکە بە ژێرنووسی کوردی سەردانی ماڵپەڕی  Oya9.com  بکە

Oya9.com
Ameer Xoshnaw